Mystical Wonders Discussion Group

zetrone · Joined: 13 Jun 2010 Posts: 200

Well, I ordered a FULL SPECTRUM CCD camera instead of fooling around trying to convert one to that.

The IDEA behind the NONLINEAR optics in the Soviet DEATH PHOTON experiments intregeged me. I did a little einvestigation and found that what Tom Bearden said about UV and NIR was being taken seriously by the GHOST HUNTERS.

The only thing I think they are not SEEING is that one Has to BLOCK OUT VISIBLE LIGHT when taking pictures of the Paranormal. The UV and NIR regions are where the IMAGES of the GHOSTS should come from. The visible spectrum ACTS AS INTERFERING NOISE.

I will have to make up a gelatine filter STACK that blocks the VIS light then I should be able to get images of the PARANORMAL.

OF primary importance will be the ILLUMINATING LIGHTS used with this camera. I want ONLY UV and NIR for illumination. I have tinkered with UVC lights for years......it will be interesting seeing what THAT LIGHTS UP .lol. AS to NIR there may be enough of THAT bouncing around IN THE HEAT OF THE NIGHT to take care of it.lol

David

zetrone · Joined: 13 Jun 2010 Posts: 200

Hello again: The camera is in a relative's hands and I await the filters.

It turns out that IR filters are made already with various CUTOFF frequencies at the VIS/NIR interface. These filters are known as Xray filters because they sometimes will ELIMINATE CLOTHING from the person's body being imaged.

That is not what I will use them for.

I noticed that a set of NIR filters from China came with a UV BLOCKING filter. This indicates to me that these NIR Xray filters DO NOT FILTER OUT UV light,

That is EXACTLY what I want for my GHOST imaging. With the VISIBLE light completely blocked but the Ultra Violet and Near Infared free to pass to the CCD chip in the camera I expect PARANORMAL objects and entities to be in the images I take.

David

zetrone · Joined: 13 Jun 2010 Posts: 200

Analog from Star Trek SINCE NO ONE IS MIGHTY ENOUGH I WILL CROWN MYSELF LORD GARTH, Since no one reponds I will RESPOND TO MYSELF David. lol

Hi< I received my GHOST camera. I have taken around 150 images. It images well with red and deep red filters. I have not received my IR XRAY filters yet. I drove into Vegas today looking to find SOMEPLACE with this kind of filter but NOTHING.

I am suprised at times with what colorations I see in the camera viewplate at night. Maybe some of the metal objects are giving off NIR after dark from being HEAT SOAKED in the desert sun during the day?

I think I will have to resurrect my old CCD astro imaging software to process the images from this camera. With that software I can PULL OUT and image from what appears to be an IMAGELESS frame. It was amasing in the 1980s to be able to pull out a faint galaxy from a visualy BLANK BLACK frame.

That brings up an INTERESTING Project possiblity. With a COOLED astronomical CCD camera and a lense one could let the camera RUN ALL NIGHT......in a GRAVE YARD....or where ever. Any LIGHT SOURCE in the NIR or VIS would be on the FRAME in the morning. If it were a LONEY "DARK ALL NIGHT" Western GHOST TOWN GRave yard.....one just might capture a GHOST>

VibratingPickle · Joined: 12 Apr 2011 Posts: 128

zetrone · Joined: 13 Jun 2010 Posts: 200

No pictures of GHOSTS yet. But I am still waiting on my special filters from China. They might arrive in three days.

I discovered that the UV sesitivity of this camera is limited to only UVA the so called BLACK LIGHT UV. UVB (repiltle lights) and UVC (germicidal lights) are OUT OF RANGE. It simplifies things a bit.

Also, one must remember that your typical CCD imagining chip has highest sesitivity in NTR and drops off to very low sensitivity at Violet VIS.This camera is resent so it may use a CCD chip with better high frequency VIS responce, which would also improve the UVA a bit too,

David

zetrone · Joined: 13 Jun 2010 Posts: 200

I received the IR filter kit today. After playing around with the filters I discovered that none of them pass UVA from a small LED UVA flashlight.

I was wrong about these filters. They included the UV blocking filter in addition to the three IR filters for SALES purposes or becasue they were too stupid to realize these IR filters block UV not because these IR filters needed UV BLOCK.

I thought about this situation and went through my telescope ocular TACKLE BOX. Thinking a little more, I picked out a #47 VIOLET eyepiece filter and tryed it in the GHOST camera.

The UVA flashlight was VERY BRIGHT.....no problem here. The #47 is a deep purple color and blocks all of the lower CHROMATIC SPECTRUM.

Since CCD imaging cameras are MUCH more sensitive in the red then the blue regions of the VIS Spectrum it can be reasoned that a DEEP PURPLE filter would possibly even EVEN OUT the CCD chips problem with red versus violet light in imaging!

I tested the Ghost camera with the #47 filter against DEEP red and Near Infared laser beam down points on the bed. To my suprise the camera SAW NIR but "IT DID NOT SEE RED AT ALL".

Then I rememebered in the 1980s when this #47 Violet filter was used on the new astronomical CCD cameras to look at the clouds on Venus THERE WAS A SIGNIFICANT "PROBLEM".

Guess what the #47 Violet filter LEAKS infared light!!!!!! SO WHAT DO WE HAVE HERE??? A inexpensive filter that just happends to block visible light except for deep violet and IT PASSES UV and NIR light!!!

This is EXACTLY what I wanted for imaging paranormal entities and events. The #47 Violet filter blocks VISIBLE LIGHT with a negative bias at the violet end. And it LEAKS NIR light.

I will look for a 58mm #47 Violet filter which will make it easier. The #47 filter I have is only made to fit in a telescope eyepiece.

If you are going to be doing GHOST PICS the information I just GAVE YOU HERE is "before" the cutting edge.

David

d_redant · Posted: Sat Aug 13, 2011 11:06 pm Post subject:

Keep sharing whatever you're guided to share David..You're doing great and making great advances...

zetrone · Joined: 13 Jun 2010 Posts: 200

As Gerry Cooper said: ...it is just nice being apprciated......thanks.

I just ordered a #47 Violet Kodak Wratten filter of gelitine which I will cut to make an 58mm insert for one of the IR filter housings.

One should consider REMOVING anything/everything from the lightpath that does not need to be there. In this case I will be getting rid of the GLASS sandwitch that holds my #47 violet astro eyepice filter. THIS IS SIGNIFICANT in that "GLASS" will not allow UV light to pass' VERY WELL if at all.

On the otherhand gelatine I do not think will stop UV or anything else I am interested in. The task will be to try and keep the bare gelatine filter surface clean and SCRATCHLESS!!

In addition to GHOST portraits there is always the beautiful world of nature in IR. Also, just out of curiosity there is the beautiful world of IR "XRAY" photos that remove clothing from people. I mention the latter ONLY out of a SCIENTIFIC CURIOSITY......well almost ONLY...LOL

David

zetrone · Joined: 13 Jun 2010 Posts: 200

I made the astronomical #47 violet filter into a insertable holder and am using it now with the GHOST CAMERA. Remember this camera is a FUJIFILM FinePix S2700HD and it has been modified so that the Bandpass goes from 300nm to 1200nm.

The flash on this camera has been replaced with one that produces a UV and NIR FLASH instead of the regular Xenon full VIS FLASH. It is wierd in that you can hardly see the light coming out of the flash.

I took a number of images both indoors and outside today. Without doing some sort of IMAGE PROCESSING these images are not impressive at all. When I am in an area with large amounts of green vegatation I may get some estetically pleasing images that can just stand on their own as art.

With the #47 Violet filter red light is complety blocked and the same for everything except deep violet. The term NIR "LEAK" is used to discribe what I at least would not expect from this filter. That is no ATTINUATION whatsoever past the VIS Red end of the Chromatic Spectrum.

I would reasonably expect that there would be a GRADATION from red into the NIR with SOME attinuation present until one was deeper into the IR region. But apparently there is this GAPING LEAK right at the red end of the Chromatic spectrum. THIS IS FORTUNATE .

At the other end of the chromatic spectrum the #47 violet lets some deep violet from VIS into the camera along with the UVA. My FEELING is this is VERY GOOD, as it helps balance the CCD imaging chips enormous bias against blue light versus the red. I hope this OCCURANCE will enhance the quality of PARANORMAL entities imaged.

I have a feeling that HOT SPOTS will turn up in this camera as something DEFINITE that can be SEEN as well as FELT. The COLD SPOTS may be related to energy in the UV region versus the IR region for HOT SPOTS. These COLD SPOTS should also produce a definite image of some kind with the camera.

I believe that the HOT SPOTS/COLD SPOTS being characterized as Paranormal Entities entering and leaving Space-Time might be correct.

I have read that some GHOST HUNTERS believe that one should find Ghosts in the daylight as well as at night. I agree, the reason that DARKNESS seems to be a requirement for GHOSTS is the same as the reason the Russian DEATH PHOTON experiments with bacterial cultures did not work when there was CHROMATIC light. This light acts as some sort of interferance in the nonlinear photonics involved.

That said, if one has a camera that can image UV to NIR and has a filter to remove the VIS light "between" these two regions then BROAD DAYLIGHT even should be no problem as far as imagining a Paranormal entity. No more stumbling around in the dark in a cemetary where you do not have clear permission to be. lol.

If the basic conceptulization I am using is not correct it should be CLOSE to correct because the camera I NEEDED was already "made up" for sale as a GHOST CAMERA....it just did not incorporate the VIS block filter.

The CONCEPTULIZATION is that the Paranormal IMAGES that we are capabale of recording consist of a sort of COMBINATION of UV Photons and NIR Photons. Tom Bearden uses the term GRAVATON and Phase locked CONJUGATE PAIR in matters closely related.

You my be able to SEE that this UNUSUAL combination would be difficult to RETAIN .....EXCEPT ..IN ....TOTAL....DARKNESS... or by using a VIS BLOCK filter. BOOOOOO

David

Sorcerer · Site Veteran Joined: 15 Aug 2009 Posts: 592

Been reading and following this for a while.I am patiently waiting for you to capture some images.But well,you can find ghosts during daytime in the hospitals.

zetrone · Joined: 13 Jun 2010 Posts: 200

Thank you for that. I had not thought about it.

I would think it VERY INTERESTING to image a DYING person with the GHOST camera.

I wonder if hospitals would allow someone to do that. During a CODE everyone but the doctors and techncians are required to leave.

Another thing I HAVE thought about is imaging myself while doing Kundalini, also it would be interesting imaging an OBE of someone.

Nighttime allows me to see how the GHOST camera responds to various types of street lights.

About the "FLASH"...I have not formulated a clear idea about GHOST PREimages. It might be possible that they ARE UV/NIR photon combinations and not an actual solid material body. If that is the case....wouldn't a FLASH be destructive to the image recording?

If you were to try and tOUCH a ghost wouldn't you find NOTHING THERE? At least no solid material would be there. It would seem to me that the best idea right now is that ghosts are made up of light.

Another interesting project would be to take images of someone in a Near Death Experience.

David

zetrone · Joined: 13 Jun 2010 Posts: 200

SOMETHING "NEW" TO ADD. I just saw these 532nm green lasers with a grid pattern oriface cover advertised in GHOST HUNTING equipment sites.

Apparently this was used on a Ghost Hunting TV show . The green grid pattern on the wall allows for anything passing infront of it to be noticed. That is the idea.

This is GREAT for VISUAL WORK as GREEN is right next to YELLOW and our sun is YELLOW and we all see best in YELLOW. However the green 532nm dot will not shgow up on a GHOST camera like mine, with the VIS BLOCK filter.

But wait there is HOPE. The 532nm green diode laser is the product of FREQUENCY DOUBLING TECHNNOLOGY. The precursors are 808nm and 1064nm NIR light to the 532nm green output

Every one of these 532nm green lasers I have checked all have two BLOBS in addition to the beamdown green DOT. These BLOBS can only be seen with a CCD camera or a night visionscope.

Right off the bat this means the GRID PATTERN (seen as green by the eye) will be imaged on the GHOST camera with NIR sensitivity. You will be able to see the same interupion in the grid pattern you noticed with your eyes on your captured image. Except that the wavelengths involve dwill be different.

In ADDITION to these considerations there is that of the NONLINEAR PHOTONIC REACTION involving the harmonically related 532nm GREEn and 1064nm Ner Infared light rays.

Shooting this particular COMBINATION at a GHOST may have RESULTS NEVER SEEN BEFORE!!!!

David

zetrone · Joined: 13 Jun 2010 Posts: 200

Two reasons for posting all this stuff here:
1) someone will come back with information and ideas I do not have.
2) so I can read it like NOTES on what I did with this project

AND of course

3) for the benefit of anyone else interested.

The laser gridwork pattern method of enhancing GHOST HUNTING is something I will have to wait for visual stuff on. I am in a location where streaming video is very slow or impossible right now.

Never the less I have a idea for this procedure. I am going to use two lasers, the green 532nm and a blue 407nm. The green 532nm laser (as I mentioned before) will produce gridwork spots at 808nm and 1064nm in the Near Infared. These spots will be imaged by my GHOST camera.

The 407nm laser is not a frequency doubled technology laser and therefore will only give a 407nm blue/purple gridwork of dots. Since I am using the Kodak #47 Violet filter the 407nm wavelength should pass uninhibited into the CCD detector on the GHOST camera.

What ALL this ADDS UP to is a gridwork of SPECIFIC WAVELENGTH dots of NIR and VIS (green and deep blue) Anything that SELECTIVELY absorbes light at one of these frequencies when it passes between the camera and the gridworks on the walls will NEGATE a portion of the DOTS and will appear in the GHOST camera image.

I think that GHOSTS are probably transparent to a good portion of the Chromatic Spectrum, hopefully they will not be at the wavelengths making up the grid work.

It has occured to me to try and find a UVA led POWERFUL flashlight and to make a gridwork of UVA dots as well as the others. It might have to be a UVA laser to work.

David

zetrone · Joined: 13 Jun 2010 Posts: 200

SOMETHING OF GREAT interest: so called Perfume GHOSTS and GHOST that stink. WHY..........what causes GHOST BO (or nonbody odor)?

There is evidence that COLD SPOTS and hauntings and ODORS go together with the GHOST. Mention is made of SWEET and FLOWER type odors as well as down right STINKY , SULFUR and O Z O N E odors.

Remember that I said I think COLD SPOTS correspond to wavelengths in the Ultra Violet region of the spectrum, whereas HOT SPOTS obviously corrospeond to wavelengths in the Near Infared region of the spectrum.

WELL WHAT HAPPENS WHEN YOU GET INTO UVC Ultra Violet emissions, such as the sterlizer UVC mercury vapor, clear quartz envelop fluorscent tubes?????

YOU CAN SMELL IT IN THE AIR AROUND THE UVC TUBE........O Z O N E

There are cases of Hauntings and COLD SPOTS where the gas OZONE was definitely present. I think that a lot of the other ODORS associated with Perfume GHOSTS and others are HUMAN OLFACTORY "variations" of OZONE.

ALL the GHOST ODORS are being caused by OZONE (except sulfur odor). This relates well to COLD SPOTS being associated with GHOSTS images in the Ultra Violet region of the spectrum.

My GHOST camara only images at 300nm and higher from their down into the VIS. The OZONE production I am familiar with only occurs with lamps that emit in the UVC (around 180 nm). This area of the spectrum is sometimes refered to as VACUUM UV, this is because radiation with that short a wavelength DOES NOT PASS THROUGH AIR . At these wavelengths the UVC waves ionize the oxygen in the air as soon aa they are outside the quartz tube.

Maybe these COLD SPOTS are associated with the UVC and not UVA or UVB. Maybe the GHOST's entry into Space-Time occurs with the release of UVC. And in addition one would be able to SMELL THE GHOST because the OZONE gas produced by the UVC interacting with the air.

Another CONSIDERATIO: when you have Ultra Violet light involved in anything there is a plethera of natural and man made materials that will fluoresce when hit by UV.

Many of the pictures of GHOSTS I have seen are very INDISTINCT and CLOUDLIKE. It is very possible that some of these photos were the result of the Ultra Violet light that I am associating with the COLD SPOTS interacting with materials that fluoresce in the frame of the picture.

You can think about this as similiar to a shadow or image that is seen in a cloud of steam from a light source either in front or in back of the cloud and something between the cloud and the light. May not be so common. But I have seen this at night in a Oil Refinery.

I would be very happy to hear any comments.

David

Sorcerer · Site Veteran Joined: 15 Aug 2009 Posts: 592

I have also noticed the scent ghosts seem to have. Some kind of flower aroma. I never bothered to understand why they had that particular scent. I always assumed otherwise.
Your explanation makes sense.

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